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Retrospective at The House of St Barnabas

Right. A big one this. I have/had a show at the House of St Barnabas, to celebrate a year open and to mark their wonderful work as a members club that supports a homeless employment academy. The show was a pure delight to work on for the reason that the team are dedicated and delightful and this really has been as close to having colleagues as a freelancer like me ever gets - plus having the inspiration to unite with pure focus to achieve a single goal really helps make great things happen. I did a shambolic speech too, which achieved the single goal of making me look like a tit. Cool! Go see, quick! http://hosb.org.uk/retrospective/

Max Taylor, Youth of Today

So those of you who know me of old will know I used to shoot a band called The Bays a lot. A real lot. Too much really, but I really really believed in what they were trying to do. Here's a film I made about them with the Heritage Orchestra: CLICK. The bass player, Chris, has a son and Max Taylor is he - a huge talent, and session player who's going out solo with his own material which I love. Am so proud to point my camera at someone I've watched grow up since age 14. Stop it, I'm gonna cry. Here's Max, please show him some love, unless your heart has become a dried up old husk: https://soundcloud.com/maxtaylortaylor

Myia Fray, White Label UK.

My dear friends whom I love so much at White Label dragged me kicking and screaming (not at all, this is a lie) to reluctantly (ditto) shoot their portraits. It was a nightmare (nope) and I didn't get anything good at all (see above, judge for yourself).

Back from Hakassan LV. Whoosh.

Whoosh indeed. 48 hours on a whistlestop to shoot the incredible story of Mr.Neil Moffitt, British CEO of Hakassan Group and legend of EDM and UK clubbing. Hakassan LV rules the very buoyant US scene with an incredible club, with the biggest names in dance as residents. I've been amongst all of this for two decades yet have never witnessed anything like this. Loads more to follow from Neil too. So many thanks to the lovely team who made our stay a treat.

Laura Mvula

It's hard too hold together my fan-ness sometimes. Just scraped it with Laura. She's really, really astonishing to look at, a marvel really. This shot was outside the client edit as I wanted a slightly darker tone for it, to optimise the silhouette and her awesome rig up top. It's good to grab something for yourself with these opps, loads of the stuff on this blog was generated in this way.

Fabregas in the studio

How could I resist grabbing a frame like this of Cesc's handsome profile huh? Such an obliging gentleman too. I know it seems I'm ludicrously positive about all of these athletes but that is mainly because they're always up for doing what's requested, they look incredible and just make the shoots fun. Even the most reluctant ones will act professionally because I think they've learnt that the faster they crack on, the sooner it'll all be wrapped up. This was shot on a Nikon D810 with a 200mm F2 by the way, some astonishingly glass I can tell you.

New season PUMA

New season races off with PUMA and the wonderful Santi Cazorla. Lovely fella and consistently great to shoot. He's warm to be around and cool to shoot, and hot on the pitch right now too...

Ginger Baker from MOJO

Now this was a big one. Being asked to shoot Ginger Baker for MOJO magazine is of course a tremendous privilege but it's not without it's own 'atmosphere'. The story is well laid out in the new issue of MOJO (December 2014) and it's worth the read because while Ginger is a legendary drummer, he is also a properly cantankerous old man, loaded with defensiveness and a lot of bitter memory. The reasons for these are well documented too but it does create a challenge when you need to sit the fella down and shoot a portrait. His health is ailing, he chain smokes, he's just done a two hour interview (like this one) laid out on a LazyBoy so it's true to say he wasn't that up for it but I harangued a good 15 frames from him, including, rather brilliantly, some happy-looking ones and I got the briefest of glimpses at what might have been some friendliness and warmth. I then proceeded to bugger that up by letting his dog out. As we left he shouted 'YOU IDIOTS!" then slammed his door. He's probably right.

On/Off goes big

Home page of the Guardian? NME.com? Kerrang? Shortlist? Yeah ok. Plus Metro, The Sun, Star, all sorts. The press team at Dawbell properly took this on and delivered BIG. Full respect for their efforts, the On/Off project has launched finally and Pledgers are pledging. Need more of course but we will get there, I have belief. Thank you if you've chipped in for War Child, it means a huge amount to me and of course the rehabilitation of children in war torn countries. Here's the link, go on, nab a book or a print.

Home page of the Guardian? NME.com? Kerrang? Shortlist? Yeah ok. Plus Metro, The Sun, Star, all sorts. The press team at Dawbell properly took this on and delivered BIG. Full respect for their efforts, the On/Off project has launched finally and Pledgers are pledging. Need more of course but we will get there, I have belief. Thank you if you've chipped in for War Child, it means a huge amount to me and of course the rehabilitation of children in war torn countries. Here's the link, go on, nab a book or a print.

On/Off for War Child. I need your help.

Oh man, this has taken a while. I've had more meetings, permutations, promises, hopes raised and dashed, and highs and lows than anything I've ever worked on, but now, having started 6 years ago (first featured in The Fly magazine), this project is live. Click here to see more on PledgeMusic. You can pledge for prints and books, even a jpeg - if you'd care to contribute to the wonderful work of War Child and get some of my work as a tasty payback then I would just love you all the more. If it's not for you, then please share it - you know someone somewhere who loves at least one of the artists featured. Thank you - it genuinely means a huge amount to me, War Child, the artists, and the victims of war around the world. Please read more about where your contribution will go by clicking here.

Oh man, this has taken a while. I've had more meetings, permutations, promises, hopes raised and dashed, and highs and lows than anything I've ever worked on, but now, having started 6 years ago (first featured in The Fly magazine), this project is live. Click here to see more on PledgeMusic. You can pledge for prints and books, even a jpeg - if you'd care to contribute to the wonderful work of War Child and get some of my work as a tasty payback then I would just love you all the more. If it's not for you, then please share it - you know someone somewhere who loves at least one of the artists featured. Thank you - it genuinely means a huge amount to me, War Child, the artists, and the victims of war around the world. Please read more about where your contribution will go by clicking here.

Ian Poulter for PUMA Cobra

Shot on location in St Albans, we put up the Colorama on a thankfully windless day and let Ian do his swing thing. We knew of his characterful reputation but am delighted to report he was a great to shoot, a consummate professional and well up for a laugh. Shot for PUMA Cobra's Arsenal golf range, I really like this artworked final version.

Shot on location in St Albans, we put up the Colorama on a thankfully windless day and let Ian do his swing thing. We knew of his characterful reputation but am delighted to report he was a great to shoot, a consummate professional and well up for a laugh. Shot for PUMA Cobra's Arsenal golf range, I really like this artworked final version.

Sir Richard Branson for Portrait Salon

I've photographed Richard Branson many times over the years but never have successfully captured a portrait I was proud of, until I determinedly set up this image and grabbed it in 45 seconds a few months ago, at his house in Oxfordshire. Rejected for the Taylor Wessing alas but embraced by Portrait Salon, I'm really proud to be part of the show and am happy with nailing a shot I wanted to capture a long time ago.

I've photographed Richard Branson many times over the years but never have successfully captured a portrait I was proud of, until I determinedly set up this image and grabbed it in 45 seconds a few months ago, at his house in Oxfordshire. Rejected for the Taylor Wessing alas but embraced by Portrait Salon, I'm really proud to be part of the show and am happy with nailing a shot I wanted to capture a long time ago.

Samsung Galaxy Alpha for Cheil

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Apologies for the radio silence, have been busy shooting some lovely work for this campaign. Appearing all over town currently, I nearly crashed the car on Sunday night when I saw one on Great Eastern St looming large.

Apologies for the radio silence, have been busy shooting some lovely work for this campaign. Appearing all over town currently, I nearly crashed the car on Sunday night when I saw one on Great Eastern St looming large.

V Festival 2014

Me and the team headed back to V in Chelmsford for another solid year of press, PR and back to back bands. It's full on but bloody great PLUS we mercifully have our own Winnebago. I used this opportunity to jump to Nikon after 22 years with Canon EOS, and man, I'm really impressed with the way it's gone so far. Rik at PocketLint wrote a post about it - do have a click if you're interested in the whys and wherefores, but I have to tell you Canon users - the Nikon D810 is a work of wonder and has astonishing capabilities, especially when in the hands of someone who actually knows what they're doing. I will one day hopefully.

Usain Bolt for Sport Magazine

Shot for PUMA at his training ground in Brunel University, West London on a glorious summer's day, this I'm afraid was another absolute gem of a shoot. We set up early, watched the fastest man in the world ever train, then nailed a few lovely images at a very relaxed pace. Grabbed this image below as Usain timed, then comically berated, his fellow sprinters. Not the worst gig ever.

Smokey Robinson, The MOJO Interview, London July 2014

Can you imagine, looking through your viewfinder and seeing Smokey Robinson smiling at you? When this happened to me, I have to tell you dear blog reader, that I lowered my camera and in a flash of incredible unprofessionalism, I had to proclaim to the room 'I CANNOT BELIEVE SMOKEY ROBINSON IS LOOKING BACK AT ME!' before carrying on with the shoot. Shot for the forthcoming MOJO Interview (August issue) I can honestly tell you it's the phonecall I've dreamt of getting my whole career and thank goodness Smokey was so delightfully courteous and warm else I would have been ruined. Geoff Brown's piece in the mag is an insight and a half so if I never shoot anything again it doesn't matter because this happened. Shot on a Hasselblad 50C with 35-90 lens, with Elinchrom Ranger lighting through a Photek Softlighter, photo fans.