This was a fantastic shoot. More shots from it here, in The Fly April issue. I wanted an electronic feel with the shot, so as to mark out the sound - but as the band have ever so slightly moved away from the nu:rave boom (quite wisely) I wanted this feel to sit comfortably in the urban landscape but positioned within a digital framework. And where better than with East London disappearing behind them at sunset, with a kinoflo cube that cost a fortune but looked bloody ace? Lighting by Tom Andrew and retouch by Neil Pemberton, design by Russell Moorcroft, shot by me. Metronony were cool, the team was ace and nailed the whole look, the shots made the cover and I'm very happy. Not in a smug way, no.