The Killers at V

5 snappers only for the sidestage viewpoint, so a tad tricky but scored enough winners to make the wait well worth it.

5 snappers only for the sidestage viewpoint, so a tad tricky but scored enough winners to make the wait well worth it.

V Festival - back again

Wallop. Back for more in Chelmsford. Was looking after a team of 8 snappers and editors, plus shooting loads of live acts so had full days and beery nights but you know what? It was bloody good fun to shoot and the team worked terrifically hard and …

Wallop. Back for more in Chelmsford. Was looking after a team of 8 snappers and editors, plus shooting loads of live acts so had full days and beery nights but you know what? It was bloody good fun to shoot and the team worked terrifically hard and produced some lovely results. Proud to be there amongst them. More about me and my role here on PocketLint

Spector for The Fly

Cool shot of Spector, man. You like that? Fred out front and the fellas falling in line behind. Great feature design in the mag from Russell Moorcroft, have a flick through and judge for yourself but where he gets the ideas from month after month I …

Cool shot of Spector, man. You like that? Fred out front and the fellas falling in line behind. Great feature design in the mag from Russell Moorcroft, have a flick through and judge for yourself but where he gets the ideas from month after month I just don't know.

Yeasayer in the studio

Bring in the gels, fair studio hand and don't hold back. Last shot these chaps at Electric Ladyland Studios in NYC in their live room, but I gotta tell you it didn't go great - purely down to using an A Head and an S Head in the same pack. They sync…

Bring in the gels, fair studio hand and don't hold back. Last shot these chaps at Electric Ladyland Studios in NYC in their live room, but I gotta tell you it didn't go great - purely down to using an A Head and an S Head in the same pack. They sync at different speeds and therefore inconsistently, thus screwing everything up much to my complete ignorance and frustration - plus only having an hour I could do nothing to sort it. Sorry Yeasayer, I travelled a long way to fail you that day but I hope this addresses that.

Yeasayer Anand in the studio

Yeasayer in the studio. Lots more artists making the shlep to our studio now. It's great for my practice, technique, ideas, control, everything. Better than plonking them against the wall as has been the music editorial practice forever, which I'm s…

Yeasayer in the studio. Lots more artists making the shlep to our studio now. It's great for my practice, technique, ideas, control, everything. Better than plonking them against the wall as has been the music editorial practice forever, which I'm still not averse to but trying hard to avoid.

PiL feature shots go big in MOJO

Regular viewers round here could be a tad tired of seeing Johnny's chops but imagine my delight on viewing this PiL feature in the current issue of MOJO. There's another full page band shot further in but this use of the close up is pretty much exac…

Regular viewers round here could be a tad tired of seeing Johnny's chops but imagine my delight on viewing this PiL feature in the current issue of MOJO. There's another full page band shot further in but this use of the close up is pretty much exactly how any snapper would like to see their work displayed, especially when of a music legend, and in a serious music title with a dedicated readership. It's what I was hoping for when I shot it, and I feel like I say this a lot, but this is definitely the target. The shoot went off brilliantly, and despite my admitted nerves, we bowled in and nailed it and it's great to see the fruit of that on the page - hence another bloody re-post about it. Sorry.

 

Twin Shadow in NY for The Fly June 2012

 Such a fantastic experience in NYC to shoot the new Fly cover. It was hot hot hot and happily we kicked off on a Monday morning bright and early, me and Tom Bunning on the rooftop of the Ace Hotel. A first rate hotel and location fyi (they keep bee…

 

Such a fantastic experience in NYC to shoot the new Fly cover. It was hot hot hot and happily we kicked off on a Monday morning bright and early, me and Tom Bunning on the rooftop of the Ace Hotel. A first rate hotel and location fyi (they keep bees up there you know) and we cracked through a good few options in no time at all. Luckily the Ranger Quadra was up to countering the bright sunlight, George Twin Shadow was every inch the perfect subject and then, when the job was done, we got to flounce about giving it the big one NYC-style like a pair of chubby Kanyes. I think probably, about as good as an international location shoot gets, for me anyway. Until I say that again of course. Thanks 4AD - hugely appreciated and especially Annette Lee.