Twin Shadow in NY for The Fly June 2012

 Such a fantastic experience in NYC to shoot the new Fly cover. It was hot hot hot and happily we kicked off on a Monday morning bright and early, me and Tom Bunning on the rooftop of the Ace Hotel. A first rate hotel and location fyi (they keep bee…

 

Such a fantastic experience in NYC to shoot the new Fly cover. It was hot hot hot and happily we kicked off on a Monday morning bright and early, me and Tom Bunning on the rooftop of the Ace Hotel. A first rate hotel and location fyi (they keep bees up there you know) and we cracked through a good few options in no time at all. Luckily the Ranger Quadra was up to countering the bright sunlight, George Twin Shadow was every inch the perfect subject and then, when the job was done, we got to flounce about giving it the big one NYC-style like a pair of chubby Kanyes. I think probably, about as good as an international location shoot gets, for me anyway. Until I say that again of course. Thanks 4AD - hugely appreciated and especially Annette Lee.

Grimes for The Fly May 2012

Possibly The Best Fly Cover Ever? Mortreal would have been a long way to go to come back with anything less I suppose but when Grimes slipped in those grillz, popper her collar and gave me that look I knew the journey had been well worth i…

Possibly The Best Fly Cover Ever? Mortreal would have been a long way to go to come back with anything less I suppose but when Grimes slipped in those grillz, popper her collar and gave me that look I knew the journey had been well worth it. The fun didn't stop there - the feature shots she smashed out the park with this dingy grimy urban shithole location that you couldn't have designed better, all of Claire's own choosing. Then beers and relax, Montreal style. Thank you Grimes and Rich at 4AD, you made it for us.

Mahali Hlasa, Riders For Health

I love Riders For Health. Hopefully you know this already, but in case you don't, I regularly travel to their supported programmes in various African nations to shoot for them. It's always full on, scary, hardcore, a great laugh, worrying and more. …

I love Riders For Health. Hopefully you know this already, but in case you don't, I regularly travel to their supported programmes in various African nations to shoot for them. It's always full on, scary, hardcore, a great laugh, worrying and more. The whole team met together in Northampton and I got to shoot some head shots they needed, which was really enjoyable. More info on this wonderful organisation here.

Graham Coxon record shopping for MOJO

 NOW THIS WAS GOOD. Graham Coxon mooching around Soho selecting his favourite 7"s for a feature? Yes. I can help with that no problem. A pure delight, great fun, Linus Lucas holding my shanty softbox aloft amongst the crate diggers. Bloody nice assi…

 

NOW THIS WAS GOOD. Graham Coxon mooching around Soho selecting his favourite 7"s for a feature? Yes. I can help with that no problem. A pure delight, great fun, Linus Lucas holding my shanty softbox aloft amongst the crate diggers. Bloody nice assignment, cheers MOJO.

Beach House for MOJO

Colder, darker, mysterious tone for Beach House this time, whilst importantly still sitting within the constraints of editorial portraiture of course. Very different experience to shooting them first time out, this image being reached thro…

Colder, darker, mysterious tone for Beach House this time, whilst importantly still sitting within the constraints of editorial portraiture of course. Very different experience to shooting them first time out, this image being reached through mutual consent. Yeah.

Tom Oldham is a burke

A proper one at that. I spoke at a really lovely event recently for young Dorset and Hampshire based photographers. Titled: Developing Nicely YPCC, I was nervous about speaking but once I got going it seemed to flow and the work carried over the mom…

A proper one at that. I spoke at a really lovely event recently for young Dorset and Hampshire based photographers. Titled: Developing Nicely YPCC, I was nervous about speaking but once I got going it seemed to flow and the work carried over the moments when I was a stattering shambles of a presenter. Though you best judge for yourself. I do enjoy this stuff, always say yes, then try to figure out why over the course of the few months I have to get my material together, then panic the night before and realise what I should have done. The main highlight was being featured in the same arena as the gob-smackingly brilliant artist Stephen Gill (here), so inspiring. Thank you Chris Francis and everyone who sorted this out. I like you a lot.